Dear CCTP Graduate:

Not too long ago I was introduced to the film work of Taika Waititi. An indigenous New Zealander, he is director of some obscure but utterly moving films such as Boy, Search for the Wilder People and Eagle vs. Shark. Recently he directed a more highly produced and popular movie, Jo Jo Rabbit, a movie that has received universal acclaim. Though I am by no means a movie maven, his films reminded me of another of my favorites, Japanese director, Horekazu Kore-eda: Our Little Sister, Shop Lifters, Nobody Knows.
These two directors come to mind because each of them in their own way creates movies that I find remarkable for one particular reason: Each seems committed to presenting views of life’s unvarnished horrors and tragedies that leave the viewer deeply moved but not depleted, grieving but not despairing, even at times horrified but not immobilized. Themes and content such as child abandonment, the untimely death of parents or spouses, chaotic family life, utter aloneness, and even the Holocaust, cross the screen with breathtaking impact. Here I am using the word breathtaking as in a punch to the gut…that takes one’s breath away. And yet stunningly, each movie has left me with a deep and profound sense of optimism.
“How do they do it?” you might ask. Here is the best I have discerned. Unflinching in their presentation of tragedy, they are equally committed to offering the viewer a genuine elixir: that it is through deep, authentic, meaningful, and perhaps most importantly, joyful relationship and connection that we can face nearly anything….and find the courage to move forward with optimism.
We at GISC work hard to communicate what we mean by an optimistic stance in approaching life, work, relationships. Sometimes we are more successful than others. Waititi and Kore-eda seem to do it beautifully, artistically, effortlessly.
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Warmly,
Stuart
89 South Street, Suite 400
Boston, MA 02111
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